Looking for a flexible, online teaching idea that reinforces students’ reading, writing, and discussion skills? Check out these tips for getting started with digital annotation.
My co-editor Dr. Emily Hodge and I are thrilled to announce the publication of the 2020 issue of New Jersey English Journal: “What’s Next? Embarking Upon a New Decade of English Language Arts.”
“This issue addresses a variety of topics, including Young Adult literature, social justice, artificial intelligence, climate change, and mindfulness. We are proud to share work from writers across the country, including pieces by first-time authors, graduate students, and early-career teachers” (Editors’ Note). [ . . . ]
Are you interested in digital literacy? Would you like to do some professional learning from the comfort of your living room? Then read on to learn about 11 upcoming opportunities to jump-start your digital literacy knowledge!
Drew University’s DrewTEACH program is offering a full slate of free virtual professional development on digital literacy this spring. Learn about topics such as collaborative annotation, fake news, and ethical communities from the comfort of your couch by registering for the free series that begins January 21 and runs through April 7. [ . . . ]
I’m excited to co-host NCTE’s monthly Twitter chat (#NCTEchat) this Sunday at 8 PM EST with fellow digital literacies enthusiasts Troy Hicks, Tom Liam Lynch, and Nicole Damico.
We’ll be tweeting about “Beliefs for Integrating Technology Into the English Language Arts Classroom,” a position statement collaboratively written by 22 members of NCTE’s ELATE Commission on Digital Literacies and Teacher Education (D-LITE)
In the statement, authors share four beliefs to consider when integrating technology in ELA, with applications for K-12 teachers and students, teacher educators and students, and literacy researchers. [ . . . ]
Ink & Ideas is an indispensable guide for any teacher looking to introduce or enrich sketchnoting (aka visual notetaking) in their classroom. Read the full review for several examples of how McGregor uses visual notetaking to enhance “engagement, comprehension, and thinking” across P-16 classrooms and subject areas.
Here’s an quick excerpt from my review posted on Twitter:
To learn more about my experience teaching sketchnoting and to access my favorite instructional resources for visual notetaking, check out the following posts:
- “Sketchnotes: An Educator’s Adventure in Visual Notetaking”
- “Students Sketchnote Classic Kafka and Contemporary Black Mirror”
Be sure to follow the author on Twitter @TannyMcG for regular doses of sketchnote inspiration!
Congratulations to Tanny McGregor on such an important achievement!
Thank you to English Journal for allowing free access to my article.
And special thanks to “Books-in-Action” column editor Nicole Sieben for editorial support throughout the publication process.
I am happy to report that their sketchnoting is being featured on the Sketchnote Army website, an international hub for the sketchnoting community.
Special congrats to Kendall S. and Emily B., whose notes were chosen by sketchnote extraordinaire Mike Rohde to be highlighted in their blog post. Head over to the Sketchnote Army website to read the featured post. You can also read more about my journey as a sketchnoting educator.
Join the Sketchnote Army
Experienced and amateur sketchnoters alike will find ample resources to choose among on their site, including their blog, newsletter, podcast, and Slack channel. They also organize annual festivities for January’s World Sketchnote Day!
Special thanks to Mike Rohde and Sketchnote Army for sharing our work!
My high school students all wrote beautiful poems, and they were especially proud to see a classmate’s entry selected as a winner. For more information about how students crafted their poems, see this post.
Brianne’s powerful and timely poem (pictured below) reads, “to be in a School is to survive algebra, social studies, and gun violence.”
The NYTimes also published the following author’s note about the inspiration for her poem:
As a tribute to the Marjory Stoneman Douglas school shooting tragedy, my poem is 14 words to symbolize the day that innocent students, sons, daughters, teachers, and friends lost their lives and loved ones on February 14th, 2018.
Congrats to Brianne on behalf of her teachers and classmates!
To introduce the task, I first shared Austin Kleon’s “How to Make A Newspaper Blackout Poem” video, and then shared the New York Times contest website and rules. Lastly, we searched for inspiration on Twitter, looking up the hashtags #newspaperblackout and #blackoutpoetry and finding countless student examples. For many students, looking at mentor texts generated some healthy, competitive energy.
The activity fit perfectly into our modern and postmodern fiction course— students noticed the “fragmented” nature of the found poetry exercise, and also commented on the modern feel of their short but powerful poems. I also timed our poetry writing day to coincide with state testing, so the exercise itself brought a welcome change of pace.
Here’s an example of a poem we read for inspiration:
When all three of my classes had completed their poems (and submitted photographs of their work to the New York Times contest), one class suggested that we create a hallway display. That class worked together to first mount the poems against white paper, and then arrange them on a large bulletin board in a high-traffic hallway.
Here are some fantastic student examples (shared with permission):
How did you celebrate April’s National Poetry Month? It’s not too late to get your students involved in this contest! All entries must be received by Thursday, May 9.
In the piece, we describe our chance meeting on Twitter that inspired a collaborative learning experience between our high school and higher education classrooms. We detail our use of KAHOOT! as a teaching tool to review MLA format and academic integrity, reflecting on the value of play and games in the classroom. Additionally, we discuss the benefits of collaboration across grade levels and institutions, sharing opportunities to facilitate such collaboration through professional organizations and virtual networks.
The spring issue of JoLLE also includes podcast interviews with all of the issue’s authors. In our podcast, we discuss topics such as the role of technology in the classroom, the value of games and play, and professional uses of social media.
We really enjoyed the process of working together—first by connecting our classrooms, and later as collaborative writers of this piece—and we hope that our authentic joy comes through in the podcast and the article itself.
Attend the NJCTE Spring Conference
Join me on March 30 at the New Jersey Council Teachers of English (NJCTE) Spring Conference, “Doorways to Teaching in a Digital World.” Check out the full program schedule and register here. Featured speakers include authors Ibi Zoboi, Georgia Hunger, and Nora Raleigh Baskin.
If you can’t attend in person, join the conversation virtually with the Twitter hashtag #NJCTE19, or by following @NJCTENews.
Write for New Jersey English Journal
I will be presenting with Dr. Emily Hodge in our new roles as Co-Editors of The New Jersey English Journal (NJEJ). Our session, “Reflecting on Your Practice: Write for The New Jersey English Journal” (10:35 am – 11:20 am, Learning Commons), will provide information about the 2020 call for manuscripts, as well as workshop time for attendees to brainstorm and begin drafting submissions. We hope to see you there!
The theme for the 2020 issue of NJEJ is “What’s Next? Embarking Upon a New Decade of English Language Arts.” Access the full call for manuscripts, here.
NJEJ welcomes single and co-authored submissions from both veteran and early-career teachers, and we especially invite new writers, pre-service teachers, and graduate students to develop submissions. (Please note: Writers do not have to live or work in New Jersey.)
Review for NJEJ
One of the best ways to develop your own voice as a writer is to serve as a reviewer for a journal. Anyone interested in serving on the review board can fill out this brief survey. Please spread the word about this opportunity to your ELA colleagues across grade levels and institutions.
Sneak Peak at NJEJ’s New Digital Platform
Behind the scenes, we’ve been working on a new digital platform for NJEJ. In partnership with Montclair State University, we’ll be hosting the journal on their digital commons. Here’s a sneak peak at our new site, which should also streamline the submission and review process.
We’ve uploaded the latest 2019 issue, and are in the process of archiving back issues. We hope you like it!
Send any queries about The New Jersey English Journal to firstname.lastname@example.org.
Zucker first introduced students to sketchnoting by using excerpts from Rohde’s The Sketchnote Handbook, a YouTube video of Rohde’s “Sketchnote Mini-Workshop” (that allowed students to draw along with Rohde), and McGregor’s Ink & Ideas, a sketchnoting book for educators.
*SPOILER ALERT* Students’ sketchnotes contain plot spoilers.
Sketchnoting The Metamorphosis
Zucker suspected that Kafka’s highly descriptive and visual text—in which the protagonist, Gregor Samsa, famously transforms into an insect—would lend itself to beginner sketchnoting. Though Kafka himself did not want readers to draw the insect, even Nabakov ignored Kafka’s wishes, doodling a rendition of the bug in his personal teaching copy of The Metamorphosis.
After showing students several ways to structure sketchnotes from The Sketchnote Handbook (e.g., modular, vertical, radial), Zucker suggested that students organize their notes for The Metamorphosis in three sections to match Kafka’s three-part structure for the novella. For a more detailed post about Zucker’s introduction to sketchnotes, see here.
Students were given the option to complete their work digitally or on paper. About two-thirds of her students created sketchnotes digitally, while about one-third opted to take notes on paper.
Depicting Black Mirror’s Bandersnatch
When the class viewed Black Mirror’s Bandersnatch, students were instructed to take notes while viewing the film; though visual notes were not required, many students elected to take sketchnotes. This might be due to the story structure itself—a choose-your-own-adventure style narrative path determined by the viewer’s decisions.
Here’s a pair of sketchnotes that depicts all of the narrative paths in Bandersnatch. [Note: Major spoilers ahead!]
World Sketchnote Day “Daily Doodle” Activity
To celebrate World Sketchnote Day, which coincided with this series of assignments, Zucker’s students did a variation of the Sketchnote Army’s “daily doodle” activity, in which participants spend one minute sketching the word of the day on a post-it note—anyone interested can participate on the Sketchnote Army Slack Channel.
In Zucker’s class, students had one minute to depict a topic (related to Bandersnatch) on a post-it note: technology, mirror, or adventure.
Since completing these tasks, several students have opted to continue taking visual notes in Zucker’s English class.
See the slideshow below for examples of these talented high school students’ Metamorphosis sketchnotes!
Are you a teacher using visual notetaking in your classroom? Comment below with your feedback and ideas!
Lastly, see below for Daisy L.’s (11th grade) Metamorphosis sketchnotes drawn in OneNote. Scroll down (or zoom out) to view them in full.
For those new to badges, here’s a simple definition I wrote in an earlier post. To access additional introductory, intermediate, and advanced resources I’ve curated on digital badges, see this slideshow.
In a nutshell, badges are digital ways of recognizing accomplishments or skills. Open badges are tied to evidence of learning and designed to be shared, so recipients can showcase their skills across digital platforms (e.g., Twitter, Facebook, LinkedIn).
Currently, my students are thinking about what kinds of badges could showcase skills that college admissions officers and potential employers might value.
Here are four options for sharing their badges online that I’ll tell them are worth considering:
Mozilla announced they’ve be encouraging Backpack users to migrate over to Concentric Sky’s (@ConcentricSky) Badgr (@Badgrteam) platform. After creating a free account, I found the platform to be very easy to use.
Badgr’s features for sharing/displaying badges: [ . . . ]
What is sketchnoting? According to Tanny McGregor, the simplest definition is “words and pictures.” Want to know more? See my post on visual notetaking (aka sketchnoting).
How can you celebrate World Sketchnote Day? Here are some suggestions from the Days of the Year website, courtesy of Sketchnote Army (see below):
…Start by using social media as the grounds for sharing your work. Submit your notes to the Sketchnote Army and see if they like your work. You can also post your notes on social media using the hashtag #worldsketchnoteday and explain to people why you use the visual sketches in your notes to remember ideas.
This Friday, there’s a Pass the Sketchnote project (@PTSketchNote) that groups participants into teams to create collaborative sketchnotes throughout the day. Sign up, here. I might be brave enough to join in on the fun!
I recently came across Sketchnote Army, an international group dedicated to all things sketchnoting. I’ve just scratched the surface with their resources, but they have a blog, a podcast, and a very active Slack channel for group messaging.
The Sketchnote Army Slack channel includes a forum for daily doodles: quick, 20-second doodles on post-in notes that respond to a given prompt. I might adapt the “daily doodle” concept in my English classes to celebrate World Sketchnote Day. We may also begin a collaborative draft of a blog post on our recent sketchnoting of Kafka’s The Metamorphosis.
However you celebrate, don’t forget to post your sketchnotes on social media with the hashtag: #worldsketchnoteday
Several publishers will provide educators with free copies of their books to examine and consider for adoption in a course or curriculum. Many books are sent by mail, but some are offered as e-books. Publishers have their own requirements, but many require that educators sign up with a school email address, and some require that books are sent to a school address.
See below for ways that high school and college instructors can request free (and significantly discounted) examination copies. Happy hunting, book lovers!
High School Teachers
W.W. Norton & Company offers free examination copies for high school teachers, searchable by subject area. There are many more gems under their “instructors” tab—especially the section devoted to English. Norton’s regional sales representatives can help teachers navigate their catalogue and find new materials.
Penguin Random House offers low-cost books as examination copies for high school teachers: $3.00 for any paperbacks that retail for under $20, and 50% off for any hardcovers or paperbacks that cost over $20.
K-12 Staff Developers
Guilford Press offers free examination copies to staff developers who conduct trainings for K-12 teachers.
Stenhouse Publishers also offers
free review copies [ . . . ]
Here’s some student pieces highlighted in the article. Click the stories themselves to see the full compositions published on the Six-Word Memoirs site:
Her students expressed positivity (“Rainy day or blue skies, smile”) and passion (“She uses a brush to dream”). They told of the importance of standing up for who you are (“Don’t let stereotypes define your character”) and not caring what people think (“Be silly, dance confidently, think later”). They shared stories of both their values (“Brother, Mother, Dad. Family Comes First”) and their backgrounds (“One parent. One Child. One story”, “two coasts, six houses, thousand stories”). Finally, one student summed up how it really feels to be at this stage in life: “Highschool Student — Confused, But Having Fun.” [ . . . ]
Here are 12 ways to enjoy the convention, even if you can’t attend in person:
P.S. I am so excited about next month’s conference that I drew sketches (below) to accompany my tips. (Educator and author Tanny McGregor inspired me to start sketching at the 2016 NCTE Convention.)
If you’re thinking about attending:
It’s not too late! Ask your institution to sponsor your attendance. NCTE offers talking points, testimonials, budget spreadsheets, and sample letters to help you get approval to attend.
If you can’t attend in person (and even if you can):
Join the conversation on Twitter with the conference hashtag (#NCTE18). You can’t attend every session, but the Twitter feed will expose you to ideas that are resonating with others. And many presenters will post their slides and materials.
If you can attend in person (lucky you!):
Leave room in your suitcase for goodies snagged at the exhibit hall, or plan to ship a small box home from the convention center’s shipping store. Check the program for the schedule of author signings, which take place in the exhibit hall.
Take a lightweight bag that fits your favorite notebook and/or computer, pens, charger, water bottle, and a snack. Wear sensible shoes for long walks or sightseeing between sessions.
Bring healthy, portable snacks with you–nuts, protein bars, fruit–to fuel your mind between sessions. If possible,
make coffee or tea in your hotel room [ . . . ]
Six-word memoirs were a quick and excellent way to get students writing, revising, and crafting digital texts.
At the start of every school year, I look for a fun way for students to introduce themselves to each other and to me. Last year, I asked students to craft visual autobiographies on Padlet. This year, since I’m teaching a course for 11th and 12th graders on Modern Fiction and Nonfiction, I also wanted a quick activity to get my students writing their own modern stories. Enter the Six-Word Memoir! (Just in time for the National Day on Writing! #WhyIWrite)
An invitation originated by Smith Magazine, everyone from NPR to Oprah has invited writers to pen their own stories in exactly six words. This activity turned out to be an easy way to get students back into writing mode after the summer break. As a bonus, the legend of Hemingway’s six-word story (“For sale: baby shoes, never worn.”) was a perfect way to begin a conversation about modern writers.
I asked students to introduce themselves to the class in six words. “It doesn’t have to capture your life story,” I reassured them. “It just needs to reveal something about who you are.”
They got right to work. They wrote at different paces, so I encouraged students who finished early to write additional stories, while allowing more time for those who needed it.
Towards the end of the shortened, first day class period, we had barely enough time for each student to say their name and read their six-word story aloud.
The next day, I projected my own six-word memoir that I had published on the Six-Word Memoirs website.
I joked that the open-source image I paired with my story didn’t exactly look like me.
Then, I talked about my challenges as a writer and enlisted their assistance in revision. I wanted to capture a tension between being content in the present and itching to make progress, I explained. We played around with my verb choice. (We were already talking about diction and copyright on the second day of school!)
All-in-all, six-word memoirs were a quick and excellent way to get students writing, revising, and crafting digital texts.
I gave them a chance to revise their stories, talking with a partner about what they were trying to accomplish through language. Some students asked to draft new stories, which I happily allowed.
After writing their stories, students enjoyed pairing them with images and posting them on the Six-Word Memoirs website. I later realized they could embed their stories into their first posts to welcome readers to their class blogs.
Here some examples of their six-word memoirs (posted with permission by eager volunteers):
A few students were interested in the website’s monthly writing contests, especially when I pointed out that with the right six words, they could boast that they’d won a national writing contest. I hope to announce the contest topic each month (October’s topic is “Secrets to Take to the Grave”) to encourage participation.
For a relatively low-maintenance writing assignment, the six word memoirs yielding great rewards. It helped us introduce ourselves to each other without having to share a recycled “fun fact” about ourselves. In just a few minutes, students were able to see themselves as writers and talk about our writing choices. And we were all able to have fun with a digital publishing without the pressure of a graded assignment.
I’ll leave you with several student examples. If you decide to try this out yourself (or in your classroom), feel free to comment with additional ones!
Special thanks to Lindsey Caruso for feedback on this blog post–especially for your suggestions for the conclusion.
In the article, Hicks reflects on the evolution of digital writing instruction and highlights five educators’ innovative practices. Hicks describes his purpose as follows:
Reflective digital writing educators themselves, DLC members should have a lot to say about Hicks’ suggestions for our next ten years of work. October 20 is NCTE’s National Day on Writing, so October is the perfect time to reflect on our digital writing instruction.
**Plus, Troy Hicks will be visiting Drew University on October 25 as the featured speaker to kickoff the #DrewTEACH Lecture Series.**
This is why I’m inviting DLC members (and anyone else interested in technology and/or the teaching of writing) to write about writing with me by reading Hicks’ article and joining the ongoing intratextual conversation (via Hypothes.is).
Using Hypothes.is for Social Annotation [ . . . ]
How I Got Involved
Scrolling through social media, I was intrigued by a playful invitation that teased the possibility of a transmedia, collaborative story.
“Come. Join us,” the invitation stated.
“Take a chance. We’ll be right there with you. Together, we hope to create something magical.”
The sign-up sheet made the following, modest offer:
“We’re hoping you will be open to working on creating one digital piece of art or story. We will then stitch our stories together into an interactive Alchemy Lab.”
I later learned that NetNarr referenced Networked Narratives, a co-located class taught by Alan Levine at Kean University and Dr. Mia Zamora at the University of Bergen, Norway. (Learn more about the structure, here.)
A colleague had suggested I try out Adobe Muse to create digital animations, and I figured that a CLMOOC invitation was the perfect time to “tinker, fail, and explore,” to borrow a phrase from Renee Hobbs.
Enter the Alchemy Lab
My Contribution to the Lab
In case you can’t guess from the image above, my contribution to the lab is a lock (located on the bottom shelf of the purple case at the center of the above photo). The lock graphic itself — and all of the others in the lab — were drawn by the talented Susan Watson and shared via a Google doc that asked contributors to first claim an image, and later drop in a link to their finished product.
Even though I was tempted by other images (the already-claimed neon green flask, especially) I chose the lock because I thought it would be a convenient method, conceptually, to move from one piece of the transmedia text to another.
Clicking on the lock in the Alchemy Lab links to a website I created using Adobe Muse. Taking a cue from the style of the original invitation, my goal was to make an animation that moved a key graphic towards the lock to open the next page of the lab. I was somewhat successful.
Media Jumping: Triumphs and Challenges
In the spirit of Connected Learning, here are my reflections on creating my piece of the Alchemy Lab.
✓ Win: The design of my site matches the look and feel of the original invitation to join the NetNarr media jumping experience.
X Fail: The original invitation did not really inform the look and feel of the finished Alchemy Lab.
✓ Win: I found a cool looking key image. After hours of trial and error with animations in Muse, I was able to move the key (down and to the right) to meet the lock.
X Fail: The key meets the lock perfectly on my Windows-based work computer. Unfortunately, it does not perfectly meet the key on my Mac, or on my mobile phone.
✓ Win: At first, I was unable to publish my Muse webpage on this WordPress site. After a few false starts, I was able to host my Muse website using Adobe’s free service, Adobe Business Catalyst.
X Fail: About one month after the Alchemy Lab was published, I received an email from Adobe Business Catalyst that it will be discontinued in March 26, 2020.
✓ Win: After a few days of research, and several emails with patient WP developers, I was able to migrate my site from Adobe Business Catalyst to this WordPress site, using the free, MWuse plugin. [Luckily, digital texts are especially conducive to revisions.]
[ . . . ]
My two latest publications discuss mindfulness and social and emotional learning in the English classroom. Both articles share tech-free lessons that can be adapted across grade levels and content areas.
“Mindful ELA: Lessons from a Grassroots Wellness Initiative” (see below) tells the story of a teacher-led movement to increase wellness in a high school, and then zooms in on several mindfulness lessons from two English teachers’ classrooms.
“An Imaginary Party Sparks Academic Conversations” (see below) describes a lesson that uses improvisation and play to help students develop their speaking and interpersonal skills while discussing academic topics.
Zucker, L. & Kiely, J. (2018). Mindful ELA: Lessons from a grassroots wellness initiative. English Leadership Quarterly, 40(4), 10-13. Copyright of National Council of Teachers of English. Reprinted with permission.
Zucker, L. (2018). An imaginary party sparks academic conversations. New Jersey English Journal, 9-11.
While I knew I could never create notes as beautiful as Tanny McGregor’s (above), I realized immediately that her method could revolutionize my own notetaking. A quick Twitter search led me to the name of the method: sketchnoting. Sketchnotes are “rich visual notes created from a mix of handwriting, drawings, hand-drawn typography, shapes, and visual elements like arrows, boxes, and lines” (The Sketchnote Handbook).
I left the conference determined to learn how to sketchnote both for my own, professional learning and in my classroom. Here, I share reflections on these early sketchnoting experiences, as well as tools and tips for getting started.
An Educator’s First Attempt: Live Sketchnoting at a Conference
I threw myself into my first live sketchnoting experience at the DrewTEACH 2018 Winter Conference. I took notes on two conference sessions in pen to help me commit, and then went back later to add color. I shared the notes on Twitter and tagged the speakers, who re-tweeted the notes to a wider audience.
Students’ First Attempts: Sketchnoting a TED Talk [ . . . ]
Vermont educator Donald Tinney was looking for short companion texts to teach in conversation with The Great Gatsby. I had just finished reading Fitzgerald’s novel with my 10th grade students, and was curious to learn how other educators help students relate its themes to present day.
In the discussion that followed, several educators shared texts and tips (including P.L. Thomas’ post, “The ‘Vast Carelessness’ of White America”).
Among the many treasures shared was a page of resources compiled by Susan Chenelle and Audrey Fisch. Their 2017 NCTE presentation referenced an article on “The Great Gatsby Curve,” an economic trend that shows a relationship between parental economic mobility and income distribution. Posted on an archived page of Obama’s WhiteHouse.gov blog, the article features an animated graphic posted on Tumblr with a graphical representation of the curve. Here is a screenshot of the Tumblr graphic:
While I await a copy of Fisch and Chenelle’s upcoming book on teaching Gatsby with informational texts, I created my own lesson around “The Great Gatsby Curve” to prompt students to think about these contemporary economic issues.
Considering “The Great Gatsby Curve” Lesson: Parental Income and Economic Mobility
First, I asked students to analyze their first impressions of the website itself (obamawhitehouse.archives.gov). The following note appears at the top of the website: “This is historical material “frozen in time”. The website is no longer updated and links to external websites and some internal pages may not work.”
Then, I invited students to watch and read the animated graphic on “The Great Gatsby Curve.” The animation progresses quickly, so students watched it once or twice before writing down their interpretations of the graph. Eventually, I captured the screenshot image above.
After students wrote an interpretation of the graph in their own words, I asked them to write responses to a series of questions I raised aloud:
[ . . . ]
I asked students to upload a photo of themselves with their library cards, and offered additional points for photos that conveyed “a love of reading.” Here are some examples (shared with permission).
One student submitted a pair of photos of himself as a five and fifteen year old getting his public library card. Astonishingly, the photos were taken on the exact same date, ten years apart.
A handful of parents emailed me unsolicited positive feedback about the assignment, including this short note (shared with permission):
“I love that you asked each of the students to get their library cards. When my daughter and her siblings were younger, we spent a lot of time at our library. When we went to the library the other day to get her card, she seemed nostalgic. She gave herself a little tour and got reacquainted with the layout. I reminded her that the library can be a place that she can study and take out books not just for schoolwork but for pleasure.”
When I spoke with a local library director, she shared the joy she experienced from seeing formerly active library patrons all grown up—they spent their early childhoods at the library, she explained, but then lost interest. She was thrilled to see them returning to the library to rediscover its offerings. Together, we realized we could seize the opportunity to highlight the resources that could appeal to young adults.
While I could not get permission to take my classes on field trips to three nearby libraries, I thought a virtual “field trip” would help students learn about these spaces and their resources from the comfort of our classroom. Now that they had their library cards, this was a chance to give students a taste of what the cards could offer.
I reached out to our three local libraries, and the librarians each generously agreed to give a 10-15 minute talk and virtual tour. I asked them to speak about shared services available to students from all of the local towns, as well as their library’s unique resources and special events. They could take a few questions, and conclude with a brief tour of the spaces (via web cam).
I created a Google doc chart for planning purposes so the presentations themselves would not overlap. I scheduled the library visits to occur once per week for three consecutive weeks, which meant that each librarian gave five, fifteen-minute presentations over the course of one day.
My school computer has a built-in webcam, but I requested a bigger, external one from our IT department so I could position it to capture more of the classroom at once. I conducted the calls over Google Hangouts.
Our Virtual Field Trips
The librarians were all friendly and eager to field student questions. They spoke enthusiastically about print and digital resources, patron services (e.g., free museum passes, lendable Kindles), and special events. Students followed along by referring to information on a print handout that the librarians had shared in advance.
Students enjoyed seeing the different teen rooms and quiet spaces in each branch, and several mentioned that they thought it could be a good place to work independently or meet with small groups. They were excited by upcoming events, such as the holiday cookie contest and a make-your-own bath bomb class.
Exploring Additional Resources
After we hung up the calls with the libraries, we looked into some of the resources together. We went on RBdigital Magazines, a database that offers digital issues of current, popular magazines. Students were pleased to learn that many of their favorite titles can be accessed on their school computers. Another day, we tested out Tutor.com, a subscription website that pairs students with live tutors.
We also played around with Mango Languages, an online language learning resource. We learned how to say some simple phrases in Korean, American Sign Language (ASL), and Pirate.
Students were astonished by the many resources available through their card. “This is all free?” several asked.
We also looked at Google Street View for each library to give students a sense of where each library is located. Several remarked that they hadn’t realized the library was “right there.”
Here are few reflections from students on the library visits:
[ . . . ]
Drawings were created on Surface tablets (using OneNote and Sketchpad), and the final composition was created with Padlet.
To kick off our yearlong independent reading unit, my students are signing up for library cards at the local library. As a homework assignment, students will obtain (or dust off) a library card, and snap a photo of themselves holding their cards. After talking it over with students, I decided to offer additional points for photos that convey enthusiasm for reading. Check back for an update of student photos posted with permission.
Conveniently, the American Library Association (ALA) has declared September “Library Card Sign-up Month,” and they offer a full press kit of resources for educators and libraries to use to promote their services. While I suspect many of my high school students have outgrown the ALA’s superhero library month promotional campaign, I think they will be interested in the Library Value Calculator. This online tool will help students consider how much money they can save by using the library. When I tested out the calculator myself, I learned that I used over $1,000 worth of services at my local library this summer! (Thank you, BCCLS!)
To promote reading and launch the independent reading unit, I offer a few introductory experiences:
[ . . . ]