To introduce the task, I first shared Austin Kleon’s “How to Make A Newspaper Blackout Poem” video, and then shared the New York Times contest website and rules. Lastly, we searched for inspiration on Twitter, looking up the hashtags #newspaperblackout and #blackoutpoetry and finding countless student examples. For many students, looking at mentor texts generated some healthy, competitive energy. [ . . . ]
Audrey Fisch and I are excited to share a publication we’ve been working on for the Spring 2019 issue of the Journal of Language and Literacy Education (JoLLE).
In the piece, we describe our chance meeting on Twitter that inspired a collaborative learning experience between our high school and higher education classrooms. We detail our use of KAHOOT! as a teaching tool to review MLA format and academic integrity, reflecting on the value of play and games in the classroom. Additionally, we discuss the benefits of collaboration across grade levels and institutions, sharing opportunities to facilitate such collaboration through professional organizations and virtual networks. [ . . . ]
High school students in Lauren Zucker’s Honors Modern Fiction & Nonfiction class recently created sketchnotes for two texts written nearly one hundred years apart: Franz Kafka’s classic novella, The Metamorphosis (1915), and the latest release from Netflix’s popular Black Mirror series, the interactive film, Bandersnatch (2018).
Zucker first introduced students to sketchnoting by using excerpts from Rohde’s The Sketchnote Handbook, a YouTube video of Rohde’s “Sketchnote Mini-Workshop” (that allowed students to draw along with Rohde), and McGregor’s Ink & Ideas, a sketchnoting book for educators. [ . . . ]
Thank you to Six-Word Memoirs for selecting my Honors Modern Fiction and Nonfiction class as their Classroom of the Month! Their feature article describes our use of six-word stories as an ice-breaker activity on the first day of school. (For additional information on this assignment, see “Even Reluctant Writers Will Love Six-Word Memoirs.”)
Here’s some student pieces highlighted in the article. Click the stories themselves to see the full compositions published on the Six-Word Memoirs site: [ . . . ]
Six-word memoirs were a quick and excellent way to get students writing, revising, and crafting digital texts.
At the start of every school year, I look for a fun way for students to introduce themselves to each other and to me. Last year, I asked students to craft visual autobiographies on Padlet. This year, since I’m teaching a course for 11th and 12th graders on Modern Fiction and Nonfiction, I also wanted a quick activity to get my students writing their own modern stories. Enter the Six-Word Memoir! (Just in time for the National Day on Writing! #WhyIWrite) [ . . . ]
For this month’s Digital Literacies Collaborative (DLC) social reading, I invite you to read and annotate Troy Hicks’ (2018) excellent piece from Voices in the Middle on “The Next Decade of Digital Writing.” In addition to joining the ongoing discussion throughout the article, I especially invite you to think publicly about your next steps or goals as a teacher of digital writing.
In the article, Hicks reflects on the evolution of digital writing instruction and highlights five educators’ innovative practices. Hicks describes his purpose as follows: [ . . . ]
Thanks to a series of well-timed clicks on social media, I recently became one of twenty, international co-authors of a collaborative digital writing project, the NetNarr Alchemy Lab.
How I Got Involved
Scrolling through social media, I was intrigued by a playful invitation that teased the possibility of a transmedia, collaborative story.
“Come. Join us,” the invitation stated.
“Take a chance. We’ll be right there with you. Together, we hope to create something magical.”
The sign-up sheet made the following, modest offer: [ . . . ]
Happy National Day on Writing!
Drawings were created on Surface tablets (using OneNote and Sketchpad), and the final composition was created with Padlet.
In honor of National Poetry Month, here’s a poetry lesson that can inspire writers of all ages.
On Valentine’s Day, a day when emotions are heightened in high school, for better or worse, I trotted out an assignment that would invite students to have fun writing poetry. These were ninth graders—generally willing to play along when I call something fun even if they don’t think it is—but I did my best to present them with options they’d find inherently appealing. They even laughed politely when I joked that if they wanted, they could write their poem on colored paper and cut it out in a heart shape. [ . . . ]
Now that all my students have a school-issued Surface tablet, I let them choose how they want to take notes. When we were reviewing literary terms last week, I instructed students to take notes and snapped a picture of this tableau:
- A student taking digital notes with the stylus and touch screen (using the highlighter tool to emphasize key words)
- A student taking notes by hand in a spiral notebook
- A student typing notes using the keyboard
While some research worth sharing with students suggests that handwritten notes may be better for learning, I’ve noticed that now that they have the option to type, my students are less reluctant when I ask them to take notes, and even more likely to start taking notes on their own without my prompting. [ . . . ]
They hurtled into the room, grabbing the thickest, most neglected books from my shelf—titles like The Reader’s Encyclopedia of Shakespeare and The American Tradition in Literature—rushing them into the hallway, returning for more, until they’d built a wobbly skyscraper of books. What kind of assignment could spark such enthusiasm?
When educators talk about authentic writing, they are talking about assignments written for real audiences—not just for the teacher—that provide students with opportunities to make choices and write about ideas that matter to them. Ken Lindblom argued in a recent Writers Who Care blog post that good writing instruction offers opportunities for students to write in a variety of genres, invites students to write for real audiences and make meaningful choices, and incorporates feedback from multiple audiences throughout the writing process. [ . . . ]